#Bad cinderella london how to
#Bad cinderella london series

“I know I don’t have the training that so many other people have,” she says. She has nevertheless suffered mightily with imposter syndrome. “At my last audition, Andrew Lloyd Webber asked me personally if I would be his Cinderella,” Genao continues. “I sobbed my eyes out singing ‘Far Too Late’”-a missed-connections love song. Bad Cinderella is a “very hard sing,” she says. She prevailed after many rounds of grueling auditions, belting Lloyd Webber’s new ballads. The same casting agency behind Evan Hansen would go on to tap Genao to audition for Bad Cinderella. Two days before she was due to accept a full-time offer from the bank, Dear Evan Hansen called, offering her a spot in the ensemble as the show reopened on Broadway. Given the the theater industry’s uncertain future, she was considering returning to banking for the long haul, but “the universe said no,” Genao tells me. When the pandemic shuttered performances and Broadway went dark for an unprecedented 18 months, she did remote work at the bank.

#Bad cinderella london series

For a while, it was enough to fulfill her: “You know, it didn’t have to be Broadway.”Īfter On Your Feet! closed in 2017, Genao toured with a series of regional shows. When it came time for college, Genao auditioned for three top musical theater schools, telling herself, “All right, if I get in, great, this is what I’m gonna do, and if I don’t, then I’m not good enough.” Genao was devastated when those programs didn’t admit her, but she fell back on her “safe route”: majoring in business at the University of Connecticut and doing community theater on the side.

#Bad cinderella london how to

She grew up singing with her mother and aunts in her church choir (her dad was director), graduating to middle and high school productions of How to Succeed in Business Without Really Trying and Damn Yankees (she played Lola). Until then, Genao had all but relegated musical theater to a passionate hobby. Genao, photographed in her dressing room at New York’s Imperial Theatre. She speaks her truth,” Genao tells Vogue from her dressing room via Zoom, wearing a slick leather moto jacket. “This Cinderella does not bite her tongue. (The book is by Emerald Fennell, the master of dark femme material.) Genao’s Cinderella is an angsty outcast in a Belleville teeming with Real Housewives bobbleheads and gratuitously shirtless men. Now Genao, 31, is preparing her own addition to the canon, starring in Andrew Lloyd Webber’s new Broadway musical, Bad Cinderella, opening on March 23. A self-professed “fairy tale girl,” Genao watched Disney’s warbling animated angel, Brandy’s 1997 incarnation with Whitney Houston as her fairy godmother, Hilary Duff’s early-aughts A Cinderella Story, and, on a plane to London, the 2021 Camila Cabello vehicle that streamed on Amazon. Linedy Genao was reared on a series of Cinderellas-or, as her Spanish-speaking Dominican-American family calls the iconic rags-to-riches heroine, Cenicienta.